22-10-2023, 01:06 PM
(Última modificación: 22-10-2023, 01:11 PM por NormanErlich.)
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“[It] was an intentionally designed experience,” media theorist Dr. Douglas Rushkoff writes in his book e, the incredibly strange history of ecstasy. “The music, lighting, and ambiance were all fine-tuned to elicit and augment altered states of consciousness. The rhythm of the music was precisely 120 beats per minute, the frequency of the fetal heart rate, and the same beat believed to be used by South American shamans to bring their tribes into a trance state… Rave dancers sought to reach group consciousness on a level they had never experienced before.”
“[It] was an intentionally designed experience,” media theorist Dr. Douglas Rushkoff writes in his book e, the incredibly strange history of ecstasy. “The music, lighting, and ambiance were all fine-tuned to elicit and augment altered states of consciousness. The rhythm of the music was precisely 120 beats per minute, the frequency of the fetal heart rate, and the same beat believed to be used by South American shamans to bring their tribes into a trance state… Rave dancers sought to reach group consciousness on a level they had never experienced before.”
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